That's only two of the four headliners announced. The new version, directed by Irish filmmaker Lee Cronin ( The Hole in the Ground), seems to continue into the franchise's post-Bruce Campbell future, and lean heavily into the 2013 flick's hyper-gory aesthetic. All Rights Reserved)įar more grisly is the world premiere of Evil Dead Rise, the first new film in the franchise since the super-gory 2013 reboot, Evil Dead (which, not so coincidentally, also premiered at SXSW). Never before – nor after – has a song about “one last time for old times’ sake” sounded as tender and romantic as Ray Price’s 1970 recording of the song that stands tall as not just one of the greatest Kris Kristofferson song moments of all time – but a highlight of Country Music history.Lily Sullivan as Beth in New Line Cinema's Evil Dead Rise, premiering at SXSW 2023 (Copyright Warner Bros. Kris Kristofferson – “For The Good Times” When the camera rolled, Cash took the defiant stance of being a songwriters’ kind of artist – and sang it the way it was written, making a lifelong fan of Kristofferson in the process.ġ. It also landed the singer in hot water with ABC brass who had asked him not to say Kristofferson’s line “Wishin’ I Was Stoned” during his performance of the song on his weekly TV series. 55 on the Country Singles chart in 1969, but it was “The Man In Black” who made it a worldwide hit. Kris Kristofferson – “Sunday Mornin’ Comin’ Down”Īs iconic as Johnny Cash’s 1970 version was, it wasn’t the first time up the charts. The million-selling seductive performance earned Smith a Grammy, a cross-over hit, and an eternal spot in the imagination of male Country fans everywhere.Ģ. Perhaps the most sexual song of its’ time, this Kris Kristofferson song became a classic recording for Sammi Smith. Kris Kristofferson – “Help Me Make It Through The Night” Roger Miller had the first hit on the track, and Kristofferson wasn’t even aware of Joplin’s version until the week of her death.ģ. One day, Foster told him that he was only calling to talk to his secretary, who had a similar name – Bobby McKee. Kris was inspired to pen this song – made into an American classic by Janis Joplin – because of calling Fred Foster at Monument. Kris Kristofferson – “Me and Bobby McGee” The humorous take on a man who stole a woman from someone else – who finds out that turnabout is only fair – was one of the earliest hits for Kristofferson as a tunesmith.Ĥ. One of the most underrated songs in his catalog was this number that Faron Young took to the top-five in 1969. Simply put, it works because this song of gratefulness showcases a man who is as rough around the edges vocally as the lyrics of this timeless Kris Kristofferson song which features backing vocals from Rita Coolidge (his wife at the time) and a pre-stardom Larry Gatlin. In his shining moment as a performer, this number one Country hit from 1973 shines because of his plain-spoken take on the song. But, what sets Kristofferson apart from the pack as a performer has nothing to do with a pristine vocal approach. His range as a vocalist might not be the greatest. 2 hit for Tompall and The Glaser Brothers in the early 1980s, the definitive version of this Kris Kristofferson song remains with the songwriter. Kris Kristofferson – “Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)” As a new writer to town in the 1960s, the Texas native seen it all – and it shows in each and every line here.Ģ. Kris Kristofferson – “To Beat The Devil”Īnother track from Kristofferson, this might very well be one of the most realistic instances of a number about the art of songwritng. As it turned out, this song falls in the list of Kris’s contributions as an artist because there was that other song that Price recorded. Understandably, his ragged vocal style was a lot different than Price’s, but this performance remains very much etched in fans’ minds – regardless of who was singing the lyrics of heartbreak. This emotional performance was one of many Kristofferson compositions that were also recorded by Ray Price. Forty-seven years later, we’re still not sure!Ĥ. The mystery of the song is whether he’s sorry or not for his actions. But, he surmises that the two are not that different in their personalities. The title track from his 1971 album, this song takes place in a bar with a man trying to pick up a woman and watching her waltz off in the arms of someone else.
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